Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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VIVARINI, family of painters
Mary and Child with Sts Mary Magdalene and Catherine

ID: 29296

VIVARINI, family of painters Mary and Child with Sts Mary Magdalene and Catherine
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VIVARINI, family of painters Mary and Child with Sts Mary Magdalene and Catherine


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VIVARINI, family of painters

German Northern Renaissance Painter, active ca.1470-1515  Related Paintings of VIVARINI, family of painters :. | Mary and Child wer | Christ Carrying the Cross er | Mary with the Child aer | Triptych (detail) wert | Triptych (detail) e t |
Related Artists:
KALF, Willem
Dutch Baroque Era Painter, ca.1622-1693
PORCELLIS, Jan
Flemish Baroque Era Painter, ca.1580-1632
Henry Singleton
British Painter, 1766-1839,English painter and illustrator. His father died when he was young, and he was brought up by his uncle, the miniature painter William Singleton (d 1793). In 1782 he entered the Royal Academy Schools in London and in 1784 won a silver medal for a drawing from life, exhibiting at the Royal Academy for the first time the same year. He showed considerable promise and in 1788 won a gold medal for a painting inspired by John Dryden's ode Alexander's Feast that was especially praised by Reynolds. In 1793 Singleton was commissioned by the Royal Academy to paint the group portrait the Royal Academicians Assembled in their Council Chamber (London, RA). He soon became noted for his paintings inspired by the Bible and from literary sources, among them Manto and Tiresias (exh. 1792; London, Tate) from John Dryden's Oedipus, and for his depictions of contemporary historical events, of which the watercolour Design Commemorative of the Abolition of the Slave Trade (1807; London, BM) is an example. Many of his works were engraved in mezzotint and achieved a widespread popularity. He also painted portraits, the writer James Boswell (c. 1795; Edinburgh, N.P.G.) being one of his sitters. Many of Singleton's later works are inclined to be sentimental and were carelessly executed; they were often intended solely for engraving.






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